You learn something new everyday! Thanks Kathy. Do you know which films in particular the sets were used from? I was mostly reminded of The Old Dark House rather than Frankenstein itself. (A film I need to rewatch... had pretty much forgotten about it until watching YF).
Quote from: samuelrichardscott on December 24, 2011, 06:40:21 AMYou learn something new everyday! Thanks Kathy. Do you know which films in particular the sets were used from? I was mostly reminded of The Old Dark House rather than Frankenstein itself. (A film I need to rewatch... had pretty much forgotten about it until watching YF).I was always obsessed with Mel Brooks - I bought everything I could get my hands on that had anything to do with him. I used to say he was the only man I would ever marry! I'm not sure exactly where I read or saw Brooks discussing the sets - sorry - but I thought that was so cool I never forgot it. Somehow it made watching the film that much more special to me.
...with some of the young actresses looking plainly embarrassed by their pretentious dialogue. To make matters worse, the piece unfolds in a shapeless style that considers it a virtue to confuse and wrong-foot the audience. It may pass muster when projected on an art gallery wall, but at the cinema it's a dead loss: a drably shot, underwhelming clunker, produced by a tabloid-baiting self-publicist long past her sell-by date.
Heh. Never heard of Tracey Emin before, but you guys stompin' around makes me wonder if I might actually like the film.
Quote from: goodguy on December 26, 2011, 06:45:56 PMHeh. Never heard of Tracey Emin before, but you guys stompin' around makes me wonder if I might actually like the film.Honestly, I'm only basing my opinion on what I think of her, but I still think you wouldn't like her stuff either. Even when I don't like the films you do, I can appreciate the talent involved and the message they were trying to convey.Take a look at this link. If you are intrigued by this complete tripe her past work then, maybe she has a chance with you and you should watch the film. If like me, you look at "Unmade Bed" and think WTF, move on. http://www.saatchi-gallery.co.uk/artists/tracey_emin.htm
and Sam's knee-jerk reaction that piqued my interest.
Conceptual art is easy to dismiss and without knowing anything about her that doesn't elicit a reaction from me, one way or the other. I skimmed through a couple of other reviews of the film and it's hard to get a handle on it. I've recently seen Matthew Porterfield's pretty great Putty Hill (which uses a fake documentary approach including interviews to portrait a group of people) and I wonder if Emin's Top Spot could be in similar vein. But apart from that it's pretty much only your and Sam's knee-jerk reaction that piqued my interest. I reserve that kind of hatred for the Spielbergs of this world.