But I guess it was before it was chic to remake foreign films and still be allowed to put your own mark on them, like Scorcese did with The Departed.
So, had Tarantino at the time admitted to using parts of the Hong Kong film as base for his story, would he have been better received by those critics?
I think that hater is too strong a word for how I feel about him.
They are all just long bloody messes with dialog that goes on and on and on...and on but says nothing. Even though his movies have been about different things, they are too much alike with all the extreme gory violence..even the music at times is very similar.
In some of the interviews and things I've seen with him, he's come across as arrogant and pompous, fulling believing that he is the next great director. He is hugely over rated.
Quote from: Dragonfire on June 06, 2010, 07:56:43 AMThey are all just long bloody messes with dialog that goes on and on and on...and on but says nothing. Even though his movies have been about different things, they are too much alike with all the extreme gory violence..even the music at times is very similar. Amen! They could have filled a swimming pool with the amount of blood shown in the two Kill Bills.
But the worst instance is in Reservoir Dogs, where Tim Roth pretty much is swimming in his own blood, and yet stays conscious.
Specifically with Coffy and Foxy, important? Absolutely. Watchable? Hell no. Plus Grier made her mark in those films because in a way, she was having to fight for respect even while they were being made. There’s a fight scene in one, I can’t remember which, but the only point of it is to rip each others tops off. That’s dishonest bollocks and thank goodness we’ve moved on.
I just take Tarantino for what he is; truly talented, never boring and making far more important films than the regular crap we get shovelled every week, that does nothing but manipulate and undermine the viewers intelligence. And I know you hate me saying this, but his work, loved or loathed, has created great exposure for the originals that you love so much. Everyone wins! More obscure titles have a chance of being published because distributors have a new market to aim at (I bought Inglorious Bastards because it was just a couple of quid in Tesco, on the back of Tarantino's film). And those of us who don't like the ropey old rubbish have shiny better versions to watch courtesy of QT!
I truly believe that he is a masterful craftsman when it comes to framing, editing and scoring a film. He's also extremely knowledgeable when it comes to cinematic history. I just don't genuflect at his altar when it comes to his screenplays. He placates to the demographic age that are his bread and butter, thus his films are banal, immature and narcissistic.
I think the difference between you and I, though, is I still find enjoyment in his films.