The Adventures of Robin Hood Year: 1938
Film Studio: Warner Bros. Pictures
Genre: Adventure, Classic, Family
Length: 102 Min.
DirectorMichael Curtiz (1886)
William Keighley (1889)
WritingNorman Reilly Raine (1894)...Screenwriter
Seton I. Miller (1902)...Screenwriter
ProducerHal B. Wallis (1899)
Jack L. Warner (1892)
Henry Blanke (1901)
CinematographerTony Gaudio (1883)
Sol Polito (1892)
MusicErich Wolfgang Korngold (1897)...Composer
StarsErrol Flynn (1909) as Robin Hood
Olivia de Havilland (1916) as Maid Marian
Basil Rathbone (1892) as Sir Guy of Gisbourne
Claude Rains (1889) as Prince John
Patric Knowles (1911) as Will Scarlett
Eugene Pallette (1889) as Friar Tuck
Alan Hale (1892) as Little John
Melville Cooper (1896) as High Sheriff of Nottingham
Review Children growing up today in an environment dominated by the Internet, Mass Media and Video Games are being short changed to the point where I wonder if there will be any creative thought process in future generations. Imagination is the foundation upon which ingenuity and inventiveness are built, and the heroes and legends of previous generations are being overshadowed by recipients of modern day 15 minute fame. In just two generations time, children have moved away from and have forgotten the moral teachings of such fabled characters as Hercules, the Knights of the Round Table, and the noble outlaw Robin Hood. Each of these legends was the embodiment of righteousness and fair play, traits which go a long way in the development of a child’s personality and esteem.
Depression era children, whose only outlet for entertainment was the movie theater, were blessed in 1938 with the release of
The Adventures of Robin Hood, starring Errol Flynn. Warner Brothers would take their newest leading man and cast him as the estranged Saxon nobleman who sided with the peasantry of middle age England. It was as if Flynn were born to play this role, with his good looks, athleticism and of course, his suave demeanor lending a true sense of integrity to the mythical hero. This fanciful swashbuckling adventure would be filmed in breathtaking Technicolor and would also star many of the stalwart Warner Brother’s contract players of the time. Olivia DeHavilland, Basil Rathbone, and Alan Hale would become perennial co-stars in almost all of the adventure films that Errol Flynn would make in the next decade. Rounding out the lead cast is the ever versatile, Claude Rains, most famous to film-lovers as the charming rogue, Captain Renault in
Casablanca, playing the lecherous Prince John.
While King Richard is away fighting the Crusades, his brother Prince John decides to fatten himself and his cohorts, upon the backs of the peasantry. Through the levying of new taxes and enforced at the hand of a whip, he has driven many of the poor to the brink of starvation and death. When a Saxon nobleman, Sir Robin of Loxley (Flynn), openly defies the new regime, he is decreed an outlaw and a hefty price is put on his head. Robin collects and organizes other Saxons to open rebellion by waging war on Prince John’s tax collectors and proclaiming himself protectorate of the Norman regime while they are away fighting the holy wars.
From beginning to end, this is true storytelling and adventure for any viewer. You can tell that the cast is having a good time making this film and that lends itself to credibility. I envy the children who got to see this film in its original release. It must have been a majestic spectacle to behold in the movie palace setting of the old grand theaters of the time.
Ratings Criterion- The pinnacle of film perfection and excellence.
- Not quite an immortal film, yet a masterpiece in its own right.
- Historically important film, considered a classic.
- An entertaining film that’s fun or engaging to watch.
– A good film that’s worth a Netflix venture.
- Borderline viewable.
– A bad film that may have a moment of interest.
– Insipid, trite and sophomoric, and that's its good points.
– A film so vacuous, it will suck 2 hours from the remainder of your life.
- A gangrenous and festering pustule in the chronicles of celluloid.