I recently rewatched "Il Mare" (now that I am in a Korean movie watching phase). I really enjoyed the second time around, until that is the last five minutes. (click to show/hide)There was a moment near the end, where they hinted at a different ending. We see someone coming up behind her and we are lead to believe that it is him. That he got her message which saved him, and waited until now and came to meet her at this moment, where she send the message. So similar to the "Lake House" ending. But then it turns out that it is not him. He decides to meet up with her just when she moved into the house. Which, besides causing a time paradox, is just not very good in my opinion. What would you say to a strange guy, who comes up to you and says: "I know it sounds strange, but we have been exchanging letters through time. I know you don't remember, because it is in your future (which now will not happen anymore)".
I'm no expert when it comes to animation, but I take the The Secret of Kells over the output of bigger studios any day.
I wasn't being cynical. Since you mention Pixar: I think The Incredibles is probably their best movie and I like it a lot, but there is a gap between that and work like Kells, Persepolis or Sita that they will never overcome.
That's what I mean. In your head, Pixar has a ceiling they have likely already hit. Move up from Incredibles to Wall-E, Up or Toy Story 3 and it's far less obvious.
That said, Kells and Persepolis are one thing, Sita is entirely another. I know you've supported it from the start, but I can only see it as an experimental curiosity. Judged on its own merits, it's very good (though not my thing; far too pretentious), but against the sheer brilliance of Wall-E? No, there is a gap but it's entirely in the other direction!
Basically they trust their audience to have faith in what they do.